After years of complaining from people who didn’t have or couldn’t afford cable (or whose parents refused to give them their HBO Go password), HBO is finally delivering a standalone streaming service, HBO Now. Today, the company announced some of its availability details, including pricing and when and where it will be available.
Starting tomorrow, audiences around the country will be able to see Hugh Jackman in Chappie, playing a former military man turned robotics engineer trying to produce a new human-piloted police drone. He sports a hideous mullet, spends most of the film sitting at a dreary cubicle, and generally behaves like a dope. So if you’re a Jackman fan looking for the guy you love in the X-Men and Wolverine movies, I’m afraid you’re going to have to wait a while longer.
The technology in Neil Blomkamp’s movies is so fully realized and intricately detailed that it feels like another one of his characters. Now Blomkamp’s made Chappie, a film where that’s literally true in the form of a police robot given the gift of human consciousness. The result is one giant metaphor for itself; a story of the world’s first true artificial intelligence and how it is almost corrupted by violence, presented in a movie where any semblance of serious consideration of what it means to be alive is drowned out by gunfire, explosions, and macho posing.
According to some reports (but not others), Sony has found the filmmaker to restart the Spider-Man franchise one more time, with The Sinister Six writer/director Drew Goddard swinging off of that project and onto a new Spider-Man franchise. But that still leaves the issue of who will play the new Peter Parker. Latino Review’s report on the Goddard rumor claimed they wanted a “new actor, probably an unknown” who’d start off in high school and grow with the part “a la Harry Potter.”
Last year, back when it still seemed possible that Sony may try to continue their Amazing Spider-Man reboot and before they teamed with Marvel to relaunch Spidey in a new film series that will connect with the Marvel Cinematic Universe, ScreenCrush Editor-in-Chief Mike Sampson and I put together a list of ten directors we thought could save the Spider-Man franchise. One name we both immediately thought belonged on the list was Drew Goddard, the man who directed The Cabin in the Woods and was then slated to direct the Amazing 2 spinoff The Sinister Six.
If you’ve always wanted to go indoor sky diving, have breakfast at Randy’s Donuts, and take a helicopter tour around L.A. with Robert Downey Jr. then you have pretty eclectic taste in activities. Nonetheless that is exactly what you could do with RDJr. if you win his new charity contest through Omaze. As detailed in the video above, the grand-prize winner gets a trip to Hollywood to attend the premiere of Avengers: Age of Ultron and walk the red carpet with Downey (and, y’know, the rest of the Avengers cast). Plus Downey will put you up in a fancy hotel and do all those other swanky activities.
Before he made the Oscar-winning film Whiplash, writer/director Damien Chazelle made a short film called “Whiplash,” an excerpt from the feature script with the same characters, one of the same lead actors, and much the same story. J.K. Simmons, who won an Academy Award last week for his performance as the brutally abusive music teacher Mr. Fletcher, first played the role here. Miles Teller, who played ambitious drummer Andrew Neiman is MIA though; his part is played by Johnny Simmons from Scott Pilgrim vs. the World, 21 Jump Street, and The Perks of Being a Wallflower.
We have very sad news to report from The New York Times: Leonard Nimoy, Star Trek’s Mr. Spock for almost 50 years, has died. Nimoy’s wife, Susan Bay Nimoy, told the Times the cause of death was “end-stage chronic obstructive pulmonary disease.” The beloved actor and director was 83 years old.
How many times in your life have you snuck up on someone and scared them? Three, maybe four times? The Lazarus Effect is the kind of horror movie where people do that constantly. It’s basically their standard greeting; instead of “Hello!” they jump on people from behind, sometimes while wearing pig masks. It doesn’t make much sense, but they’re not doing it because it’s logical — they’re doing it because this is a bargain basement horror film and you take the scares wherever you can get them.
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